RSSTrue Summer’s Cool Rose Blush
December 13, 2009
True Summer skin is usually not colourful. By December, Fresh Plum’s dusty softness doesn’t perk it up enough. Bronzer looks crazy on True Summer skin in the hands of real-world women because it adds heat to skin that inherently has none. Months of Product Search may be over.
Read moreMakeup Model : Cool Winter
July 15, 2009
The more you work the particular strengths of your season, the more together your look will be. Winter is a season of stark clarity and respecting that will work the feeling best. If Spring bubbles, Summer flows, and Autumn glows. Winter gleams like platinum. This is not a season for fussy details. The colors are a little hard and the look is dramatic. There is no need to be shy with color intensity. The stronger the color, the healthier the season looks.
Read moreMakeup Model : Clear Spring
June 28, 2009
This is the yellow undertone of Spring moving closer to the neutral line till it flips to its sister season of Clear Winter. Sometimes, the hair is so dark with very brown eyes that the person is mistakenly classifyied with the high contrast of Winters. Clear Spring is the only season outside of Winter that can pull off black clothing.
Read moreMakeup Model : Warm Spring
June 5, 2009
Edit June 23/10 – Just a note to be sure everyone knows that this Makeup Model series of articles was posted before I became a Color Analyst. The articles have been very popular, so I leave them up, but the makeup recommendations are not necessarily those I’d make today. For anyone interested in more accurate Season and color advice, do look at 12blueprints.com or join the 12 Blueprints Fan Club on Facebook.
We can’t shop for clothes without wondering “Is this my color?” At the makeup counter, we’re at the mercy of the taste of the salesperson or we just stick to the safe rut we’re in, resulting in 5 of the same shade of lip color rattling around the bottom of our purse. Not only are we not objective about ourselves in any way, but we don’t know what to look for.
The truth is that nobody knows their innate colors. Nobody. Famous and rich people get it wrong all the time. Until they’ve been analyzed, nobody knows their colors. Personal color analysts (PCAs) can’t guess their own seasons till they get draped or see themselves in many different colors (often many shades of the same color, red being particularly telling).
How controlled the lighting and background have to be depends on the analyst, as does the importance of hair and eye color. As with anything, there are many ways of arriving at the answer. With anesthesia, it’s not so much which drug you’re using as how well you know that drug. There is no right or wrong, no best or worst. There is an analogy here in that it’s not so much which color system you choose as how well the PCA knows that system.
Women might say “I wear a lot of white and navy.” Whatever. Navy and white might be better in your kitchen than on your body. Nobody can experiment with sure success till they’ve been color coded. Nobody knows their undertones. They might know their overtones but that’s not really helpful for making buying decisions. So if you don’t know your colors, don’t feel bad. 99% of the world doesn’t either.
Climbing down off my soapbox. I’ve just been at the Clinique counter and I look at the money women put down. As you know, I like MAC and Clinique. They don’t have everything but the price is manageable, the color selection is 6.5 out of 10, the application is 7 out of 10 (Clinique) and 8.8 (MAC) and most women can find these lines.
“Warm Spring” is a Color Me Beautiful label which allows for a flowing of any given season towards another, in this case Spring towards Autumn. This season doesn’t exist in all the color systems. Nonetheless, the 3 Spring seasons’ colors in any system are warmed by yellow and are clear. When I chose the colors below, I was working with Sci\Art’s True Spring swatch book.
If you’re Warm Spring, you have noticeable gold, orange, copper, or strawberry tones in your hair but your skin is still warmed by yellow. You are too fair to move into the golder, hardier-looking skin of an Autumn. Think of Nicole Kidman (notice how dark her eyebrows always are? they are seldom bleached to match her hair; may be deeper coloring than Spring going on here). Delicate skin, almost fragile looking. It’s skin that looks like it’s trying to have freckles but often doesn’t because it’s just so fair.
Your colors are moving towards the browner tones of Autumn. Blush and lip colors are coral and apricot, so stronger than peach and with some brown in them but still bright and lively. Warm Spring can take a lot of color.
Lips: All Springs should know about MAC Lustreglass in Instant Gold to warm and reduce the strength of many lip colors, and add a light yellow-gold shimmer; MAC Prolongwear in Clingpeach if you like this type of product.
Clinique Lipsticks in Golden Brandy, Peach Pop, Poppy Love, and Ripe Raisin.
Blush: NARS Luster or Gilda; NARS makes fantastic blush but demands a light application to look normal. Estee Lauder Pink Kiss might work.
Bobbi Brown PotRouge in Calypso Coral.
Eyeliner: Clinique Roast Coffee.
MAC Industry might work as a slightly warmed grey. Clinique Slate is too sharply grey as is MAC Grey Utility.
Eyeshadow: Clinique Butter Pecan and Copper Canyon. In the singles, Champagne was good. In the creams, Sable Shimmer Touch Tint is nice but awfully shiny.
MAC Camel which they no longer make, darn them, it was a superb color … MAC, bring back Camel!!!!
Eye hilite : Paula’s Choice Cream or Chiffon.
Mascara : Black-Brown.
Bronzer: MAC Golden, a truly good product.
-->We can’t shop for clothes without wondering “Is this my color?” At the makeup counter, we’re at the mercy of the taste of the salesperson.
The truth is that nobody knows their innate colors. Nobody. Famous and rich people get it wrong all the time. Until they’ve been analyzed, nobody knows their colors.
And undertones?? Are you kidding?
Makeup Model : Soft Summer
April 21, 2009
Edit June 23/10 – Just a note to be sure everyone knows that this Makeup Model series of articles was posted before I became a Color Analyst. The articles have been very popular, so I leave them up, but the makeup recommendations are not necessarily those I’d make today. For anyone interested in more accurate Season and color advice, do look at 12blueprints.com or join the 12 Blueprints Fan Club on Facebook.
Soft Summer and Soft Autumn can be similar. You could be Jennifer Aniston or Amanda Bynes, respectively (or, these women give the impression of these Seasons). In the wrong colors, you can look blah. Hair is neither light or dark. Skin is neither either. You can get lost in medium-ness. Getting your colors right is what takes you from medium everything to fabulosity.
These two seasons hold hands to straddle a neutral line very closely. Both have some warmth, but the Autumn season has more. Many Soft Summer women color their brown hair to look warmer when they would look better in a more neutral brown or cooler brown.
If Cool Summer, coolest of all, has enough blue to be look best in lilac-pink,
and Light Summer is so fair that cotton-candy-pink is most appealing,
you’re the next level of warmth.
You are still defined by what is predominantly Summer, so coolness, lightness (but that’s also deepening now), and muted haziness. It’s that color so many companies create in a blush and call it Desert Rose.
Lipstick: Bobbi Brown Italian Rose ; Laura Mercier Gilded Garden collection Hibiscus (English Rose might work too but appears brown enough to be more Soft Autumn), swatched here by the wonderful karlasugar that I’ve introduced before. This woman is saving us time and money, and teaching about color by comparison.
Blush: Dior English Rose ; NARS Deep Throat.
Eyeliner: MAC Technakohl Earthline ; EsteeLauder Automatic Eye Pencil Duo Walnut.
Eyeshadow: Dior Flirty Brown; MAC Malt, Quarry, Copperplate; Just looking for Suede Brown here. Get an idea of the shades from karlasugar’s most amazing MAC eyeshadow swatch post. Vote for her with the Best Blog About Stuff button on her site.
Eye hilite : MAC Vapor, which you can see at MAC’s eyeshadow page or at karlasugar (last box in the MAC eyeshadow article).
-->Soft Summer and Soft Autumn hold hands to straddle a neutral line very closely. Both have some warmth, but the Autumn season has more.
Read moreMakeup Model : Deep Autumn
April 6, 2009
Edit June 23/10 – Just a note to be sure everyone knows that this Makeup Model series of articles was posted before I became a Color Analyst. The articles have been very popular, so I leave them up, but the makeup recommendations are not necessarily those I’d make today. For anyone interested in more accurate Season and color advice, do look at 12blueprints.com or join the 12 Blueprints Fan Club on Facebook.
If Autumn is the season of sunset colors, this group is scorched earth and ripe fruit. Deep Autumn makes those colors so warm that they glow, making them seem almost metallic, like copper and bronze and gold. By making use of the right colors, this season can look astounding. Winter does look vivid, but it’s cool drama where this is hot and exciting.
I’m not fond of dark lips or very colorful lips. Colors that already appear in the face are what work in makeup . They have to be comfortable and believable, especially on women who wear little or no makeup. For Deep Autumn, the colors already in the body’s color design are quite deep. Pale washed out lips just flatten the whole affect. A natural mouth on Julia Roberts would be the only thing you would see on Heather Locklear.
I’m also not big on frost on any mature face – but sometimes shimmer is your friend. Autumn needs intensity in makeup to match intensity in coloring. If you don’t use “color intensity” then use “finish intensity” with metallic lipsticks. Nobody has brown lips but a bronzed orange lip color will work well on this season, and go nicely with the allover toasted luminous warmth. Where Spring is sunlit and bright, Autumn is has a brown gleam that metallic meshes with well.
Lora at Pretty Your World writes the best site online to figure out your own colors. Not everyone will be able to do it, only because some people are complicated. If it were easy, why would there be color analysts? At PYW, you’ll see that this season is the Autumn/Winter hybrid. Some Deep Autumns can pull off “warm black” quite well because of that.
Color Ideas
Lips: Revlon Sheer Colorstay Bronze; MAC Honey Flower but while you’re at the MAC counter, try on Coconutty, Strength, Shag, and Touch. The makeup artists are good at choosing the best on you. So are your kids. They might not know why but they know what looks good ; Clinique Bronze Star, one of my favorites.
Find brown alone too flat? In lipstick and in blush, you’re looking for a brown-red-orange blend. Warm Autumn is looking for brown-orange. Soft Autumn is looking for brown-peach. Some Deep Autumn women have quite fair skin though the overall amount of color spice is intense. JLo wears deeper foundation than Julia Roberts but the overall depth and intensity of the color package is less, making JLo a Warm Autumn. Because we’re now moving towards Winter, we’re starting to lose the orange in favor of cooler browns and reds.
Try mixing in Mocha or Jist. Have fun looking at the choices at MAC’s beautiful (and much improved) site and notice that you can choose the finish you like in the boxes above the color checkerboard.
Blush: NARS Lovejoy, Madly, Taos. A good color swatch page is here at NARS, though the colors are stronger IRL (in real life) than on my monitor.
“The Next Best Thing To Going Shopping Yourself” and my new favorite blog is by Karlasugar. NARS themselves don’t do as good a job as she does of showing their products. The professionalism and quality of the job she did in her NARS Blush Recap is a-m-a-z-i-n-g.
MAC Mineralize Duo in Intenso might be good too, but be critical of the amount of shine.
Eyeliner: black/brown, there are many. It needs to still be obviously browner than blacker.
Eyes: Cargo Dark Neutral palette. KarlaSugar yet again, has done an outstanding job of showing the 3 Cargo Neutral palettes. For comparison and learning, this is the best you could ask for.
All Autumns should know that MAC Woodwinked eyeshadow is a perfect antique gold accent for eyes. Because it’s very shiny, you wouldn’t cover your whole eyelid, but a spot of it right above the upper lashline, over the center of the iris, followed by your usual neutrals, adds some great dimension. It also does the very cool trick of picking up the amber colors in your eye. It’s often sold out but a beauty if you can get it.
Eye hilite : MAC Shroom or Brule. Although I avoid animal-test companies, I have to say that Elizabeth Arden Sungold eyeshadow is a gorgeous hilite for Warm Autumn and Deep Autumn. It doesn’t go on too yellow or too shiny but lights up Autumn eyes and skin perfectly.
Don’t buy what you can’t try.
-->
If Autumn is the season of sunset colors, this group is scorched earth and ripe fruit. Deep Autumn makes those colors so warm that they glow, making them seem almost metallic, like copper and bronze and gold. By making use of the right colors, this season can look astounding. Winter does look vivid, but it’s cool drama rather than hot and exciting.
Read moreProduct Review : MAC Studio Sculpt Foundation
April 3, 2009
…officially takes over the No. 1 spot as Favorite Foundation.
… is a gel, not a cream, so it is easy to disperse a minute amount over a whole face.
… can easily build to more-than-medium coverage. Adding another layer or two over sun spots and veins can cover them nicely without needing to hunt down a suitable concealer in a different shade than you’d wear under your eyes or around your nose.
… lasts. And lasts. And lasts. It doesn’t look tired after 8 hours the way a lot of makeup can.
… makes skin look very smooth ( not even-colored, but even-surfaced with no bumps or craters). My kids noticed which is saying a lot because they’ve seen much makeup over the years.
… comes in MAC’s usual very good colors, but never settle for less than a perfect match. I wear NW 20. The colors seem a little deeper than usual if you’re used to MAC’s skin color schemes.
… is a great choice if you notice and object to the “weight” of foundation. Studio Sculpt really has none. Don’t buy Studio Fix by accident or you’ll think I’ve lost my mind.
… is a great choice if you’re thinking about trying foundation but don’t want a masky look and if concealer just seems too fussy. Use this as a fusion, only where you have shadows or discolorations. It gives you good time to blend and is light enough to get the job done with fingers.
… greatly reduces the tendency of foundation to be too heavy and so accentuate the age of the skin around the eyes. Who needs that? This is the strongest positive point for me. So many foundations look horrible on the skin under the eye, and worse if you use a concealer as well, that you can hardly put any product here. I’d almost buy it for this alone.
… dries fairly matte but not completely. Still need a little powder but fewer powder touchups.
… comes in a soft plastic gravity-fed tube which I so prefer over bottles. I wish they’d made the plastic opaque. I’d have a better feeling about the color staying true.
… really can disappear into skin if the color is right. I keep reading reviews where the woman is showing pictures of it on her hand, which is funny-peculiar till you’ve tried it yourself. What fascinates everyone is that you really can’t see where the makeup begins and ends. It absolutely looks more like skin than any foundation I’ve seen.
This foundation is good at its job, which is to even skin tone and color. If you’re not used to the effect, you’ll think all your features just disappeared. That’s because they used to stand out to you by the contrast of the shadows around them.
If you’re hoping to wear anything more than the sheerest tinted moisturizer and wear no other makeup, it’s not going to work. Your face will be too uni-color without a little lip gloss, an eyeliner, and a bit of blush or bronzer. Not complicated. Not especially time-consuming. Big looks payoff. Just need to go into it with realistic expectations. If you don’t want to wear any other makeup, just something to smooth your skin, this is not it. The coverage is too good.
Of all the good and great things that foundation does, I had yet to meet the one that I could say made skin look younger. This is the closest so far.
-->The closest that foundation has come to making skin look younger.
Read moreMakeup Model : Soft Autumn
March 28, 2009
Edit June 23/10 – Just a note to be sure everyone knows that this Makeup Model series of articles was posted before I became a Color Analyst. The articles have been very popular, so I leave them up, but the makeup recommendations are not necessarily those I’d make today. For anyone interested in more accurate Season and color advice, do look at 12blueprints.com or join the 12 Blueprints Fan Club on Facebook.
Autumn colors are deeper than Spring to be sure. But they’re not darkened by adding gray(as Summer is) or black (because that’s Winter).
These are browner colors. They toasty and golden, coppered, and bronzed. The degree depends on which Autumn. If you could distill Autumn down to one color, it would be brown, which would include the variations of gold and orange.
Soft Autumn is not as deep and warm as the other 2 Autumns. They’re quietly warm like in the picture above. Their toned-down richness makes them closer to neutral. This means that they’re easily confused with Soft Summer, who also have a subdued strength in their coloring. Soft Summer is neutral too but is more cool than warm.
This season is so soft, in fact, that it approaches neutral but just lingers on the warm side of the line. Like who? Drew Barrymore. She can be a cool blonde but she looks better warmed up a little more. Lindsay Lohan, on the other hand, cannot be blonde nearly as well as red because her coloring is too committed to Autumn’s warmth.
Can you see how good it can be when you get it right? There’s no contest. Color Analysis works.
Lips: Clinique LongLast Glosswear Sunset ; Almay Ideal Gloss in Bronze Shimmer; Clinique Glow Bronze lipstick.
Blush: MAC Trace Gold. Don’t just fluff this color on. Apply it with feeling (meaning a firm stroke of the brush) to really get the color, not just the shimmer.
All Autumns should know that they can transform their many too-pink blush mistakes to a great burnished shade with Trace Gold. It works best for the Soft Autumns who wear warm pink better than the other Autumns.
Eyeliner: Clinique Chocolate Lustre.
Eyes: Cargo Warm Neutral Palette ; MAC Era.
Cargo Warm Neutral palette.
Eye hilite : MAC Shroom. This is an all-purpose under brow eye color. It would suit all the seasons, certainly all the warm ones. Paula’s Choice Beige is another completely versatile under brow hiliter for all the seasons, at a fraction of the price, and is really perfect because it has no shine.
The disclaimer : Don’t buy it if you don’t try it. These are color guidelines to give you a sense of what you should be looking at.
The colors are getting warmer now, but there’s some heat on the way and things are going to get a whole lot hotter.
-->Soft Autumn is not as deep and warm as the other 2 Autumns. They’re quietly warm. Their toned-down richness makes them closer to neutral. This means that they’re easily confused with Soft Summer, who also have a subdued strength in their coloring. Soft Summer is neutral too but is more cool than warm.
Read moreMakeup Model : Warm Autumn
March 4, 2009
Edit June 23/10 – Just a note to be sure everyone knows that this Makeup Model series of articles was posted before I became a Color Analyst. The articles have been very popular, so I leave them up, but the makeup recommendations are not necessarily those I’d make today. For anyone interested in more accurate Season and color advice, do look at 12blueprints.com or join the 12 Blueprints Fan Club on Facebook.
Can a Season share makeup?
I started looking at women and decided that women within the same season in the 12 Season scheme can wear the same makeup. (What is a 12 Season scheme? Read more in Sites To Know : Pretty Your World). The overall color palette and degree of contrast are similar enough to produce makeup palettes customized to your coloring.
If you’re a Light Spring, the makeup that suits you will suit all Light Springs. There may be some that are deeper or lighter than you, so the makeup may look a little different but overall, you will look great in the same shades.
Can you have intensity and light lips?
I don’t like dark lips on anybody. Just a personal thing. They make us look older no matter how perfectly shaped the lips are.
But Warm Autumn needs intensity in makeup to balance strong golden undertones in the skin and the rich clothing colors that suit us so well. I continue to make the mistake of wearing lip colors that are too coral, trying to get a light lip but with color.
Brown alone can look flat and dead… but Autumn does better with brown than anybody. Shimmer is the only way I know to get some intensity and add life to brown, without adding darkness or orange-ness. Brown and toasty/metallic work naturally to become gold and copper and bronze and everything in between. This is what Autumn is all about.
I make the mistake of too much orange in blush too. Candy colors don’t work on this season’s makeup. They have to be natural (meaning warmth added to brown). The strength of this coloring (actually the large amount of warmth in the skin) can cope with metallics in small doses better than the more delicately colored seasons.
Think about Julianne Moore. Her skin isn’t dark but there is enough golden-beige in it that the whole color picture is fairly intense. Dressing her in watered down colors wouldn’t have nearly the kick that deeper warmer colors would have.
You’d put a shimmery copper on her and have it disappear into the face long before it would on Gwyneth Paltrow. Why? Because that is already one of the colors nature put in her overall color design. The sign of a great color for you is that it just gets absorbed into the coloring your face already has. With that kind of color, you can load it on and look real. You can color a little outside your natural lip line and look believable instead of dorky.
Here’s your makeup
Lips: MAC Honey Flower (too brown, dark, and orange alone on me) mixed with MAC Ramblin Rose (more warm coral) or MAC Jubilee (more neutral). MAC Plastique is a fabulous peachy brown metallic, too light on its own though (light and frosty is the formula for ash-colored lips, so it has to be mixed). With those 4 MAC lipsticks, you can create many many good shades. If you like more red color, start mixing in MAC Mocha.
From L, all MAC, Plastique, Jubilee, HoneyFlower, Ramblin Rose.
All this mixing, what a pain, ay? No, no, no ! This is how you learn to customize your colors and how a mixture of 2 colors always always always looks better than a single color alone. Just load a Quo Retractable Lip Brush with your color(s) of the day when you’re doing your AM makeup and you’re set. You can get enough on the brush for 3-4 touchups. Lipstick applied with a brush looks better and lasts way longer, no doubt about it.
Blush: Dior Sunkissed Cinnamon. The price of this stuff is deadly but I like the sheerness and softness of the color. It might look a little pink on you, depending on your skin, more true to its brown-pink name. My skin turns pink to peach, brown to peach, and peach to orange.
Since the color is soft, you can’t see the edges of the blush. What does that mean? Go see the movie Confessions of a Shopaholic and see if you can pick out where Isla Fisher’s blush begins and ends. Also, as a soft color, it looks fresher and younger than a darker or browner color.
The photo is linked to the product at StrawberryNET, which holy cow, if you don’t know it, is worth a look around for the freebies, discounts, sales, selection, and that’s before we talk about Free Shipping Worldwide.
If you like more noticeable color, look at Dior SugarNSpice.
Eyeliner: Dark Brown; there’s thousands of them.
Eyes: MAC Brule, Cork, Soba.
This is a palette of those same colors on a white background. They look dark on the white. I just threw in the gloss for fun. It’s a Chanel Glossimer, color name long worn off.
Fight with Photoshop though I do, every single day, this is the closest I could digitally match the lip colors (Honey Flower is not here). They’re close but not exact.
Look at what happens to those exact same colors on the golden beige skin of a Warm Autumn. Only the background layer’s color has been changed. Suddenly, they’re much closer to what they look like when a Warm Autumn puts them on her face.
Try this out next time you’re shopping and let me know. Convince me I’m wrong.
-->My good friend and sister-in-law, Holly is a Warm Autumn, just as I am. Over the years, I’ve noticed that we can wear exactly the same makeup colors even though her hair and eyes are not the same color as mine.
I started looking at women and have decided this holds true for all women within the same season in the 12 Season scheme.
If you’re a Light Spring, the makeup that suits you will suit all Light Springs. There may be some that are deeper or lighter than you, so the makeup may look a little different but overall, you will look great in the same shades.
4 More Makeup Tricks For Mature Faces 2
October 27, 2008
Back in September, I posted an article about eye makeup for older women in The First 4 Ways To Modify Makeup For Age.
Aging faces develop sharper angles because the layer of fat under the skin becomes thinner with time. Applying makeup with sharp lines and edges, be it poorly blended blush or a sharp edge of eyeliner, only emphasizes this feature of aging. Soft blurred edges that dissolve into one another flatter a mature face. This look is more softly rounded which imparts a youthfulness.
I agree with Lauren Hutton that sheer colors are more attractive that a heavy color deposit. When I say “a soft look”, I don’t mean dusty or watery colors. In most cases, unless you’re a Summer, dilute colors add no liveliness to the face at all. “Soft” here means a light hand in putting on the product and using products that don’t put down a heavy layer of pigment. The colors are pure and vibrant but the consistency is diaphanous, or sheer.
Today’s four are about the mouth.
1. Easy on the lipstick. Steer clear of too much or too dark. This is a very difficult look to pull off unless you really know how to balance the rest of the face. Watch out for “old lady” cliché colors like frosty coral, flat pink, and the nondescript burgundy-dusty rose blend.
Since I don’t have time to reapply lip products ever few minutes, but I find a soft, natural color becoming, I look for long-lasting glosses that work (Clinique Glosswear, L’Oreal Color Juice, and L’Oreal Infallible being among of the best in the affordable category) and use lipliner on the whole lip first.
Gloss is often marketed to younger women, so the colors tend to be fresher. The tradeoff is that it’s very difficult to find gloss without frost or sparkle. The cosmetics industry is producing makeup for 25 year olds. Hey, anyone want to put together a makeup line for us? I’m in.
Stick with colors in your season. Once you know which color type you belong to, you can choose colors that are very true (but sheer! they’re not the same, right?) and look great.
A Summer might look at L’Oreal Color Juice in Watermelon Crush. Summer is the group where frost doesn’t add anything. Their coloring is so soft that anything harsh is jarring.
A Spring is looking for a peachy pink. A light gold shimmer is nice on a Spring. Look at MAC Lustreglass in Instant Gold.
An Autumn does better with some metallic than any other because the whole look is toasty, like this.
Metallic goes overboard all too easily in today’s shimmer swamp. Subtle shimmer is always better.
Look at Almay Ideal Gloss in Bronze Shimmer or Lise Watier Plumpissimo Gloss in Bronze. Warm orange-red looks good too, especially for darker Autumns who need more color in makeup to coordinate with the extra intensity in their natural coloring.
It could be this, but even more red.
A Winter wears icy pink, like the lightest shades here, in her clothing. It looks gorgeous. As lipstick, it’s too faded. For any season, mouth color that is lighter than skin color is hard to do well. A makeup artist could probably balance this look with a stronger eye, but that’s not you and me for every day.
A bright clear blue-pink is also good.
L’Oreal Colour Juice in Raspberry Smash and Tutti Frutti are worth looking at.
If your lip color bleeds easily, gloss won’t work well. The colors stay the same, but you need to look for more tenacious formulas. Revlon’s Color Stay and Color Stay Sheers will get you there. And of course, there’s every imaginable texture in between.
2. Place light concealer at the corners of the mouth and along the outer edges of the lower lip. There are entire articles in this site on the Light Concealer’s ability to create a face lift effect. You still have to work with your own face. For instance, if the nose is thin, don’t put a stripe of light concealer, or shimmer either, down the center or your nose will look even thinner.
Some application spots apply to all of us, some more than others of course, and are easy to forget. Remember to blend light concealer at the corner of the mouth and continue it under the outer edges of the lower lip. The corners of the mouth often turn down a little with time and it can look severe. This technique is anti-aging because it lifts the corners up a little, brings some light, and makes the lower lip look fuller and more supported.
3. Discover a very effective anti-bleed lip liner. Choose a shade in the same color as the lips or a colorless product, to offset lip color’s tendency to move into cracks. Don’t spend a lot of money on this product. The best ones are often the cheaper ones. Search MUA and Beautypedia to find the lipliners that really work to prevent lipstick from bleeding into lines around the mouth. With a clear product, you could even apply it a little outside your natural lip line. Who would know?
The easiest place to buy a great clear one is from Paula’s Choice – works great, feels great, no sharpening, really does last, good price point. This is one of those you can buy several of the first time out.
4. Using concealer instead of lip liner to keep lipstick in place. If you don’t care for lip liner, another way to keep lip color from wandering is to apply a thin layer of concealer all around the lips and blend it out really well.
If you look carefully at lipstick ads, you can almost see it, because it makes the lips come out more, as will any light color. This idea is best reserved for women with a small mouth or thin lips.
A thick concealer will look heavy on lined skin, definitely not helpful. MAC Select Cover-Up comes in great colors, is thin in consistency, and doesn’t move once it’s dry.
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Aging faces develop sharper angles because the layer of fat under the skin becomes thinner with time. Applying makeup with sharp lines and edges, be it poorly blended blush or a sharp edge of eyeliner, only emphasizes this feature of aging. Soft blurred edges that dissolve into one another flatter a mature face. This look is more softly rounded which imparts a youthfulness.
Today’s 4 are about the mouth.
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