Makeup Model : Deep Autumn

April 6, 2009

Edit June 23/10 – Just a note to be sure everyone knows that this Makeup Model series of articles was posted before I became a Color Analyst. The articles have been very popular, so I leave them up, but the makeup recommendations are not necessarily those I’d make today. For anyone interested in more accurate Season and color advice, do look at 12blueprints.com or join the 12 Blueprints Fan Club on Facebook.

If Autumn is the season of sunset colors, this group is scorched earth and ripe fruit. Deep Autumn makes those colors so warm that they glow, making them seem almost metallic, like copper and bronze and gold. By making use of the right colors, this season can look astounding. Winter does look vivid, but it’s cool drama where this is hot and exciting.

Market in Istanbul.

I’m not fond of dark lips or very colorful lips. Colors that already appear in the face are what work in makeup . They have to be comfortable and believable, especially on women who wear little or no makeup. For Deep Autumn, the colors already in the body’s color design are quite deep. Pale washed out lips just flatten the whole affect. A natural mouth on Julia Roberts would be the only thing you would see on Heather Locklear.

I’m also not big on frost on any mature face – but sometimes shimmer is your friend. Autumn needs intensity in makeup to match intensity in coloring. If you don’t use “color intensity” then use “finish intensity” with metallic lipsticks. Nobody has brown lips but a bronzed orange lip color will work well on this season, and go nicely with the allover toasted luminous warmth. Where Spring is sunlit and bright, Autumn is has a brown gleam that metallic meshes with well.

Colours 1.

Lora at Pretty Your World writes the best site online to figure out your own colors. Not everyone will be able to do it, only because some people are complicated. If it were easy, why would there be color analysts? At PYW, you’ll see that this season is the Autumn/Winter hybrid. Some Deep Autumns can pull off “warm black” quite well because of that.

Color Ideas

Lips: Revlon Sheer Colorstay Bronze; MAC Honey Flower but while you’re at the MAC counter, try on Coconutty, Strength, Shag, and Touch. The makeup artists are good at choosing the best on you. So are your kids. They might not know why but they know what looks good ; Clinique Bronze Star, one of my favorites.

Find brown alone too flat? In lipstick and in blush, you’re looking for a brown-red-orange blend. Warm Autumn is looking for brown-orange. Soft Autumn is looking for brown-peach. Some Deep Autumn women have quite fair skin though the overall amount of color spice is intense. JLo wears deeper foundation than Julia Roberts but the overall depth and intensity of the color package is less, making JLo a Warm Autumn. Because we’re now moving towards Winter, we’re starting to lose the orange in favor of cooler browns and reds.

Try mixing in Mocha or Jist. Have fun looking at the choices at MAC’s beautiful (and much improved) site and notice that you can choose the finish you like in the boxes above the color checkerboard.

Blush: NARS Lovejoy, Madly, Taos. A good color swatch page is here at NARS, though the colors are stronger IRL (in real life) than on my monitor.

“The Next Best Thing To Going Shopping Yourself” and my new favorite blog is by Karlasugar. NARS themselves don’t do as good a job as she does of showing their products. The professionalism and quality of the job she did in her NARS Blush Recap is a-m-a-z-i-n-g.

MAC Mineralize Duo in Intenso might be good too, but be critical of the amount of shine.

Eyeliner: black/brown, there are many. It needs to still be obviously browner than blacker.

Eyes: Cargo Dark Neutral palette. KarlaSugar yet again, has done an outstanding job of showing the 3 Cargo Neutral palettes. For comparison and learning, this is the best you could ask for.

All Autumns should know that MAC Woodwinked eyeshadow is a perfect antique gold accent for eyes. Because it’s very shiny, you wouldn’t cover your whole eyelid, but a spot of it right above the upper lashline, over the center of the iris, followed by your usual neutrals, adds some great dimension. It also does the very cool trick of  picking up the amber colors in your eye. It’s often sold out but a beauty if you can get it.

Eye hilite : MAC Shroom or Brule. Although I avoid animal-test companies, I have to say that Elizabeth Arden Sungold eyeshadow is a gorgeous hilite for Warm Autumn and Deep Autumn. It doesn’t go on too yellow or too shiny but lights up Autumn eyes and skin perfectly.

Don’t buy what you can’t try.

Comments

22 Responses to “Makeup Model : Deep Autumn”

  1. Mary-Ellin on April 6th, 2009 9:55 pm

    Hi Christine,

    I’ve subscribed to your blog for several months now, and really enjoy your essays. I just had my quick color analysis done at http://www.prettyyourworld.com, and Lora says I’m a Soft Summer. I tend to agree with that, though I love wearing black clothes, which I guess is supposed to be too harsh a color for me. Oh, well.

    Looking forward to a future “Makeup Model” on Soft Summers.

    All the best,
    Mary-Ellin
    Albuquerque, NM

  2. Christine Scaman on April 7th, 2009 5:59 pm

    Hi, Mary-Ellin,

    I’ll be getting to Soft Summer very soon. That is a relatively easy season to understand and there’s tons of makeup for it. I’ll get through all 12 eventually !

    Black near the face is certainly not helpful to everyone. It can hide things. It looks expensive. But it makes many faces look older. However, there are ways to wear colors that are not on your palette, black being the most common that women want to wear. A cool scarf in your colors is probably the easiest way. Makeup won’t do it – in fact, you’ll usually end up using too much to counter-balance the effect of the black. Sometimes V-necks can work too because it tends to be a more flattering neckline and the black isn’t right up against the face.

    Thanks for the comment. :)

  3. Jo on August 15th, 2009 2:59 pm

    Hi, I am loving these colour analysis essays of yours. Wonderful. Unfortunately, they (and every other piece of colour advice I can find) always seem to throw me into a spin.

    I get that I am warm. That part is EASY. Ihave a pale, warm skintone. Then I have naturally brown hair (red highlights) that I henna (which REALLY suits me). Clear bright colours are less good than Autumnal ones, so that would make me an Autumn.

    But…

    Can a person be Deep or Warm Autumn and have blue eyes?
    I just think there is too much contrast between very fair skin and my chestnut hair for me to be a Soft Autumn.

    But this contradicts everything I am reading. Everyone declares in their lists of eye colours that Soft Autumns can have blue, but Warm and Deeps are green, hazel, brown or topaz eyes.

    Are the rules really that rigid?

    Don’t worry, I’m not looking for analysis via internet – I am just asking, ‘is a blue-eyed Deep or Warm Autumn possible?’

  4. Christine Scaman on August 15th, 2009 7:20 pm

    Hi, Jo,

    Glad you asked. The rules about eye colour are NOT rigid. In any colour analysis system, I think most consultants would agree that there are averages of hair and eye colour, but there are certainly people in any season that fall outside the average. So it’s not usual to see a brown-eyed Summer, but it could certainly happen. Blue-eyed Winter, black-haired Autumns, all possible.

    You may have noticed from reading this site that I consider hair colour and eye colour to be irrelevant in determining season. Absolutely of no consequence. The first and only mission is to perfect your skin. Once we have that down, we’ll know exactly which tones in the hair will most keep that perfect skin. Your natural eye colour will be automatically intensified once you are wearing the best colours because Mother Nature never makes a blueprint mistake. If you wear your natural colour, it will be fine too, though most agree that the transition time to gray can sometimes be difficult, especially for the warm seasons.

    Dark seasons are often those with the most hair/eye/skin contrast. Similarly, it is not your skin tone itself that determines the season but how your skin REACTS to colour. It is a dynamic process.

    So, short answer. ANY season can have ANY hair or eye colour. If you hold onto inflexible rules like Dark Autumn never has blue eyes, you’ll miss the few that do.

  5. Trisha on October 29th, 2009 6:12 am

    Jo,
    Again, I’d agree with Christine, there are no hard and fast rules. I was told for years by (by quick colour analysis at beauty counters, etc) that I was a Winter (dark hair, pale skin, dark eyes). But somehow the colours just didn’t look right on me. A very long, careful analysis by an expert on colour (such as Christine) revealed me to be Deep Autumn, and suddenly all those colours worked on me! Really its impossible to tell on yourself what effect colours are having aganist your skin, which I can see now is the most important factor. If the colours blend with you naturally, then these are right for you, no question. One counsellor even said she could see grey in my eyes because she was looking for it (in poor light) to prove I was a Winter! No friend or relative or opthalmic surgeon has ever spotted grey in my green-gold eyes! This really does prove the point that everyone is an individual, so hard to apply rules – again one to one with a recommended specialist is the best spending of money you will ever do.

  6. Christine Scaman on October 29th, 2009 5:12 pm

    You’ve said it better than I could have, Trisha. The variability is endless. Every person breaks the rules in some way or other for their season.

  7. Jo on December 28th, 2009 5:37 pm

    Hi again!

    (Sorry about the length of this, I was on a roll)

    I thought I would pop back here, now that I have found my real home as a Deep Autumn.

    Decided to really go for it and get some of the makeup you suggested above (eBay is a wonder). Absolutely amazing, seeing what it does to my face. My haul is far from complete, but as I said, the effects are fascinating.

    I didn’t like the Cargo Deep Neutrals AT ALL when I first put them on. I thought they made my eyes go small and murky, but I there wasn’t time to re-do so I shrugged and reached for the lipstick (Jane Fardon Bronze from http://www.janefardon.com, a sheer bronzy brown with golden brown highlights) and it was as if my whole face snapped into focus – eyes bluer, deeper, clearer, edges of my face neater, cheekbones higner. Everything fit together and was right somehow.

    It is as if the brown of my hair, eyebrows, lips, blusher and Cargo eyeshadow all needed to balance, and the balance let ME be more visible than before.

    I know, I am waxing rather lyrical, but… that was definitely the effect.

    As usual though, I am left with a million questions:

    How do you work out the undertones of your own skin? There are so many different tones and so many different descriptors (ivory, porcelain, yellow, pink, beige, peach, sallow… ad infinitum).

    Jennifer Butler’s site has some videos on it, and in several of them she makes the excellent point that if you identify your skintone, then that shade, both lighter and darker, will PERFECTLY suit you. Such a simple concept, but also mind-bogglingly brilliant. She says to do the same thing with your hair and eye colour, and you have the basis of your own triumvirate of perfect colours.

    Fairly easy to gauge hair and eye colour, you just need a mirror and good natural daylight, but skin… that stumps me. For me, yellow toned foundation works, but how to accurately guage whether it is pale yellow (and which shade of yellow?), pale beige, pale peachy-yellow, pale bisque, pale mushroom, pale ???

    Any ideas?

  8. Christine Scaman on December 29th, 2009 9:09 pm

    Jo,

    You’ve reduced this to the ultimate question : How do you tell your skin undertones? The thing is you can’t except by a personal draping process with precisely coloured drapes that carefully work through the various levels of every colour’s 3 parameters: its coolness/warmth, darkness/lightness, and clearness/softness. Nobody can. Nobody. There are too many variables, hundreds of them, that confuse and complicate.
    Even hair and eye colour are deceiving. Yes, it’s effective to repeat hair and eye colour in dress, BUT the emphasis is foremost on perfecting skin. The person with warm hair and cool skin will be endlessly confused and buy the wrong thing. The skin must be respected first or everything else deters from it. Once you match the skin, say it’s cool, then your makeup and clothes are cool, and the contrast between cool skin and warm hair becomes that much more remarkable. Skin first. You must be analyzed. I am very glad that you found some good makeup, always brightens the day.

  9. Kathy on December 31st, 2009 5:37 pm

    Jo –

    As for foundation, you really need to try it on before buying it. Fortunately, most department store lines will give you a small sample good enough for a couple days — and you really need to see how it look on your skin in daylight, not dim store lighting.

    Undertones stump me too. For the longest time I though I was cool, pink-toned, because I was certain warm skin tones are golden or yellowish. I’m not. But I’m not truly cool-toned because my skin is more peachy than pink. (More noticeable when I’m wearing warmer shades. Very cool blush and lipstick shades make me look sallow.)

  10. Jo on January 1st, 2010 7:39 pm

    Hi Kathy and Christine,

    Christine, I hear what you are saying, but since I HAVE been analysed, and the closest I got to an analysis of skin colour was ‘Your skin is warm and clear’, I think this is something I have to do myself.

    Kathy, thanks. Your answer hit the root of my question. The most perfect, natural and invisible skin match I have ever found is by Estee Lauder. The foundation is Bone (1W1) and the powder is Linen (1W2). They are definitely warm yellow, not cool pink. When I tan (which is NEVER nowadays) I go a lovely golden brown for a few days, then fade to a jaundiced yellow that lasts for weeks.

    Maybe, as Christine says, no one can gauge their own skintone, but surely we can get somewhere near the mark? Common sense must allow us to make SOME progress?

    If you, Kathy, know that you are peach, then that is a great step forward – peach is somewhere between pink (red+white) and orange (red + yellow), so I would guess your skintone is somewhere neutralish/warm, yes? And that is bourne out by your Warm/Clear dilemma, and your proximity to Clear Spring, yes?

    (see thread on Clear Spring for the back story)

    So Kathy, with that peach skintone, do peach fabrics, in all shades of light to dark, look absolutely stunning on you?

    Or is apricot a better shade? I think apricot is warmer and less pink than peach.

    My own skintone questions are more along the lines of ‘what shade of yellow am I?’ and ‘is my skin really yellow, or very pale beige, or just a very dilute warm brown?’

    Heck, I don’t even know how you would go about mixing paints to produce beige!

    I really need to speak to an artist, I suppose, someone with that sort of colour combining experience – yellow is one of the primaries, but brown is a combination of red and green – ultimately a mix of red, yellow and blue…

    Oh. Lightbulb moment. Of COURSE!!!!

    Do you have those paint mixing machines over in the US and Canada? The ones where they drop the pigment into a tin of ‘base’ and it mixes the exact shade you want?

    First I need to get to some paint shade cards – the ones in yellow, beige and brown, graduated from light to dark.

    Then I need to sit in the garden on a cloudy day and lay them over my arm, eliminating them until I get the best, most ‘natural’ tone.

    I will end up with a single card showing a ‘colour’ presented in 6 different intensities.

    Then I have to go back to the store and ask them what ‘recipe’ they use. I have watched them, you see. The computer gives them a list ’1 part violet, 1 part yellow, 3 parts crimson…’

    I wonder if it will work…

    Thanks ladies, as usual, you have been a fantastic sounding board and incredibly helpful!

  11. Jo on January 1st, 2010 8:55 pm

    Another thought:

    Being the daughter of a redhead, I have my fair share of moles. They are all the same warm-brown, but vary in intensity/depth from very dark to much lighter. It will will be VERY interesting to see if my ‘best’ shade is related to those colours!

  12. Kathy on January 1st, 2010 9:30 pm

    “So Kathy, with that peach skintone, do peach fabrics, in all shades of light to dark, look absolutely stunning on you?”

    Light peach is too close to my skintone. If I were to wear a light peach top, I would look like I’m not wearing a shirt. Corals and warm, bright pinks are better, given that I have lots of contrast.

    Speaking of moles, freckles and whatnot, one of the other posts (it was a spring — can’t remember if it was warm or light) described Nicole Kidman’s skintone as “looking like it’s about to freckle” or something. My skin could described as that. I have no visible freckles or moles (despite having parents who have lots), but I have light patches of, I guess, what could be freckles had I not been protecting myself from sun damage for the past decade.

  13. Jo on January 2nd, 2010 7:05 am

    Yes! I remember freckles too. I spent my whole childhood and teens being told that the were soooooo cute. Oh yes, remember the 70s when an all over golden brown was the ultimate in healthy living (+ a veggie diet, and flares)? I haven’t seen a freckle for a couple of decades – thanks to living like a mushroom, and spf for those emergency sun exposure moments.

    Am off to B&Q later today to get my various colour sample cards (and a radiator shelf). This is almost as exciting as when I went for colour analysis.

  14. Christine Scaman on January 2nd, 2010 7:50 am

    Jo,

    You sound like a most determined and interesting woman. If we ever have a reunion, we’ll have to have it near your home so you’re sure to come.
    Let us know how the colour cards go. There is an analyst whom I respect called Bernice Kentner; she uses cards in a similar way. The process has merit.

  15. Jo on January 6th, 2010 5:40 pm

    Hi again,

    Thanks for that, Christine. Meeting you would be a delight.

    Following my (eventual) diagnosis as a Deep Autumn type, I ordered the deluxe swatch of 60 colours from Lori at Pretty Your World. They arrived last night, and… boy O boy O boy…

    It is like coming home.

    According to Lori’s system (and the swatch) these colours are warm, muted and dark. I do not match that perfectly, being warm, clear and darkish. However, the swatch shades are much less muted than I expected, and they really are gorgeous. Many of the shades are (to my eye) definitely clear enough.

    So many things about this swatch feel so perfectly RIGHT. I have been ‘scared’ of red all my life, restlessly searching for a shade that would suit me. Failure after failure. Well, this swatch has just one red shade amid a sea of blues, greens, purples, deep burnt oranges and browns – that one perfect red is called ‘earth red’ and PERFECTLY matches the only red lipstick I can wear – ‘Tomato’ by Colour Me Beautiful.

    There are shades of purple on the swatch that I have seen, loved, and occasionally (and courageously) bought, but been nervous to wear. No longer. I KNOW they suit me now. Grin.

    Oh, and the greens… my goodness, the greens. There are 14 of them, from sea green through hunter green to various olives. It is like being given a present of nearly every shade I love.

    But the best bit is the fact that if I fan the colours out they flow so well, and create a balanced harmonious wheel that has a very clear ‘presence’, that I am going to be able to carry in my head when I go shopping.

    (still haven’t done the skin shade paint sample thing yet, we have had snow and weird light, so will have to wait a while).

  16. Jo on March 24th, 2010 6:08 pm

    Well, I promised to pop back when I had done the skin shade sample test, and here I am.

    It was very educational.

    I waited for a bright day (took 2 months), then I sat by a north facing window, laid my arm in good light and placed the colour cards against my skin, one by one. I had collected every card that could even vaguely be matched to a skin tone. Once I had done my skin, I used a mirror to match my my hair (natural roots and coloured ends) and my eyes.

    Fascinating.

    It appears that my skin is cream coloured. By that, I mean that it doesn’t have pink, orange, yellow, lilac, grey, peach or mushroom undertones. Each of the colour cards that held those shades looked ‘off’ against my skin. There was a hint of yellow, but not enough to claim it a major undertone. The ‘cream’ toned cards blended and/or matched. It is a warm shade, but for all those years I thought I had ‘yellow’ or ‘peach’ toned skin, I was wrong.

    My hair is darker at the roots than I expected (do we ALL carry such inaccurate self images in our own minds?). It naturally has peat tones, with a hint of warmth – all those youthful strawberry blondish shades from my childhood have faded completely. The hennaed length of my hair is peat overlaid with nenna chestnut tones. Warm in a red-brown way, not a golden-brown way.

    My eyes were, I think, the biggest surprise. All my life I have had ‘blue’ eyes. Only now I find that they are a deep blue with a tint of grey-teal, overlaid with striations of soft blue, with a tiny inner ring around the pupil of yellow-brown (think fallen yellow-brown maple leaf). The overall effect is mid-deep blue. Not bright, but still strong. Not cool, but hardly warm.

    When I laid the best-match colour cards together, the effect was deep brown and blue with pale cream. The brown and blue tones are definitely muted. It must be my skin that makes me look ‘clear’.

    When I laid the cards next to the Deep Autumn palette, they blended seamlessly. The nearest matches on the palette are Cream, Chocolate, Baroque Brown, Russet, Deep Ocean and Deep Ultramarine.

    It was incredible seeing MY colours lying on the table, external to myself yet essentially ME. I cannot recommend the experience highly enough. It was like seeing myself (my essential colours) with 20-20 vision for the first time, and I now have a better idea of how my colours work than ever before.

    I recommend that everyone does this. The paint chart colour cards are FREE, it only takes 15 mins in good natural light, and the experience is PRICELESS.

    Really, it has dramatically increased my colour-self-awareness.

  17. Kathy W. on March 25th, 2010 9:57 pm

    Hi Jo, I really loved this post. Congratulations on finding your true colors!

    Have you read the book “Color of Style” by David Zyla? He advocates a very similar process (using paint chips or other color samples to find the colors in your skin, hair and eyes) to find your colors. He has you go through the exercises to find your best colors BEFORE he has you even think about what Season you might be. Even though I was 99% sure what my Season was before I started this book I still found the exercises very helpful.

    Navy Blue is one of my very best colors (and knowing how good I looked in Navy also made me skeptical of my initial Color Me Beautiful Spring diagnosis all those years ago), I never realized until I did David’s exercises that the prominent ring around my ‘Topaz’ Brown iris is – you guessed it – Navy Blue! this confirmed for me that I’m a Clear Spring (Spring that flows to Winter) since even though I have the classic Spring ivory/peach skin with a warm undertone, my eyes skew Winter – besides the Topaz Brown and Warm Golden Yellow in my iris I’ve got Charcoal Gray, Pine Green, Black-Brown and the Navy Ring in my eyes, all Winter colors.

    My Mom is what I like to call a “Snow White” Winter – like the cartoon character she’s got milky white skin with a cool undertone and she had very dark Brown-Black hair (which turned a gorgeous salt & pepper and is now silver gray) her eyes are almost the same color as mine – she’s got all the same fleck colors and a Navy ring but instead of Warm Golden Yellow in the mix she’s got Blue-Green with her ‘Tourmaline’ Brown.

    I second your recommendation that everyone should try this!

  18. Jo on March 27th, 2010 8:27 am

    Hi Kathy,

    I will look for Zyla’s book. Thank you.
    I have been buying deep olive and moss green clothes for a while now – I am really drawn to the colour. However, armed with these paint samples, I am now inspired to look for blues – slate blue, sea blue, distant mountain blue… And particular shades of brown.

    I loved your comments about the navy ring in your eyes.
    Until last weekend I would have blinked and thought you were mad. How could anyone have Navy eyes?

    Then I saw Deep Ultramarine in my own eyes, and now ANYTHING is possible!

  19. Kathy W. on March 27th, 2010 9:09 pm

    Hi Jo, I hope you like the book – let me know what you think!

    It certainly is a journey of self discovery, my drivers license says my eyes are “brown” and until recently I wouldn’t expect to find any other color in them – ha ha.

    From your photo I think the blues you described would look great on you!

  20. Jo on May 9th, 2010 5:10 pm

    Hi again,

    Kathy,
    Zylar’s book is fascinating – it has led me to fine tune my blush shades (all of Christine’s suggestions worked exquisitely) as did Laura Geller’s ‘Down to Earth’. It also gave me some interesting discoveries about skintone – soft gold is the colour – not soft yellow. I am in the process of ordering some foundation samples from http://www.meowcosmetics.com on the strength of it.

    Thank you for suggesting the book!

  21. Ashley on May 9th, 2010 10:10 pm

    I might have to purchase that book myself.

    Speaking of the whole “wearing your skintone” concept, I have found that one of my “good” eyeshadow colors is a dark cool brown with yellow and green tones. Imagine that. :P

  22. Kathy W. on May 13th, 2010 3:39 pm

    Hi again Jo, I’m really glad that you liked the Zyla book. There has also been some lively discussion of it on the 12 Blueprints Facebook page. Thanks for the link to the cosmetic site, I’m going to check that out.

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